Rabia Aladaouiya Film

mirage of consciousness? Humanly

Cerri Giovanni, Miraggio, 2002

olio su tela, 100x70 cm

Debilito un istante del mio essere

per risalire all'apice di questa

superficie impalpable.

The human instinct to pride

drag on my eyes

mistaken unconscious

me tinged with misleading fiction.

Shall I ever escape the pain,

quickly and methyl?

Disorders weather intertwine

in riots and wuthering

collide with the housing

of quietly into the night sky

my game to keep quiet.

But if by chance stopped

the rain for a moment,

and sting your throat with a finger

to withdraw the ambiguity

a breath cumbersome,

oh my free animal

mirage of consciousness as a legitimate

breathable

between your instincts?

Unblocked Cubefield Game

adulterers

Perso nell'incesto

di cospicue aspirazioni

brucia il pulviscolo

su proficue escoriazioni;

è l'eroico voltaggio

di basse inondazioni

a concedere

sfarzanti esitazioni?

Fumoso e bramoso

di tempeste posteriori

negando apodittici pleasures

represses unfulfilled desires

is the erotic horror

low performance

to withdraw

frantic excitement?

Tremulo

button and navigate without memories

prediction alientante

that ails sacrilegious;

is uncertainty Faticanti

of friendly words

to make

adulterated men?

Free Pokemon Mobile Game

TEMPTATION
Sara Sun Notarbartolo



BY 10 to 20 December Teatro Stabile of Naples
ROOM REDUCED

a show TAVERN EST
winner for new creativity '
with the support of ETI Italian Theatre,
SPRING FESTIVAL OF THEATRE,
in collaboration with
Teatro Stabile of Naples and ITINERARTE

written and directed by Sara Sun Notarbartolo

In 1919, a small town in southern Italy - with the war that has just passed and the fascism that is slowly forming- una ragazzina di nome Assuntina comincia a cacciare fiori dalla carne e a fare i miracoli.
La famiglia nella guerra ha perso tutti i suoi uomini e donna Lucia, la capofamiglia è adesso circodata da parenti emigranti che tornano (dal Veneto, dall'Argentina) da spasimanti e dallo scandalo di questa figlia che profuma di fiori, profuma di santa e, tanto che l'odore è forte adesso questa cosa (questa grande bellezza, questa grande vergogna) si sa.

" Abbiamo lavorato sulla vergogna della Bellezza, sulle possessioni divine, sulla necessità ancestale e periodica di un capo espiatorio. La "bambina" Assuntina è nata come frutto di tante sante e madonne addolorate e una volta nata abbiamo costruito per nasconderla, between the songs of the century, the passions of others, the dullness of a family and a people that is our, us "Sara Sun
Notarbartolo


with
Giulio Barbato, Claudio Javier Benegas, Peter Botte, Nico Ciliberti, Valentina Curatolo, Patrizia Monti, Antonio Roman, Ramona Tripodi




"In 1919 a southern family decimated by war only goes from the rituals of the past and threats of the future. (...) The widowed mother tries to suppress a subsidiary whose unacknowledged mystical sexual urges take the form of uncontrolled emission of flowers, hailed as a miracle. The pace is lively cheerfully chaotic by witty moments and applauded by singing vaudeville dialect "
Masolino D'Amico, La Stampa

" in this set was a chilling isolation of the search expression, the attitude of the usual East Taverna, assumes a tone sound an extra hand and a swing set (...) Attention to detail takes plastic consistency, alignment scenarios durable elements and user-
Dario Tomasello, Theatres Present Time



"between fairy tale and hagiography, the show lays bare the temptation of normalcy in the aftermath of a bourgeois interior Neapolitan War (...) world giving us a portrait of a society dedicated to the cult dell'appenza "
Andrea Nanni , Hystrio


" The play written and directed by Sara Sun Notarbartolo is young and old, traditional and innovative history as a good historical novel - the province of Naples 1919 - and timeless.
Mautone the middle-class respectability in the family is threatened by a phenomenon not coded: the teenager's house begins to bloom. literally. "
Natasha Day Corriere del Mezzogiorno


"The temptation has really enchanted (...) a strong dramatic characterization that relies on the mystery of the carnality of Assuntina, a girl who sweats and flowers works wonders.
Qell'intenso fragrance of flowers is becoming stronger and bigger and bigger as the beauty of the great shame. A cheerful and chaotic rhythm driven by excellent actors. "
Dorothy understood , Money



assistant to director Gianluca D'Agostino

lighting design Silvia D'Alesio, Paul Petraroli

sets and costumes by Maria Adele Mercogliano, El Pampa

vocal trainer Gina Corazza

research and coordination musicaleDavide Della Monica

we thank Natalia alive, Lisa Falzarano, Rosario Giglio, Marilisa Mautone, Engineers Without Borders Naples, Ivan Branch, Gennaro Apicella, Anna Nappo

outer voices are Nenna Satva Esposito, Anna Villone, David Della Monica, Michele Vitolini


Thursday, Sunday, Monday
21 hours Friday, Saturday and Tuesday, rest Wednesday 16 hours 18

ticket: 081 551 33 96

Pet Medications And Pregnancy

The tightrope walker

Never stop wearing a fake plastic smile and a blue hairnet. Behind the funny nose of a clown I'll hide in silence and contemplation of the sarcasm that wants me, laughed at. But it is when I hold in my hands and my feet squeak on a pole with a rope for fear of ground contact and open the doors to the enthusiasm of living in the thrill of going down. So it's like to dominate the sky. Then it's as if I had more shape and my body blends in with the wind. This is where my journey begins shaman to stem the broken dreams of a shadow and a vortex of tenderness that intoxicates me fertile wisdom. But my makeup seems to melt because of sweat. The show is over. I completed my journey. The audience applauds and maybe tomorrow, there will be more applause among different people and different silence. New opportunities and new miss. New faults and new moments to concealing and still wonder why though man, I can fly.

Muscle Wasting More Condition_symptoms

TAVERN EAST THEATRE

Tavern East (Sara Sun Notarbartolo, Claudio Javier Valenzuela Benegas, Giulio Barbato) was founded by a group of artists of different backgrounds and training in the winter del 2004 all’interno di un centro sociale napoletano, il DAMM .
La compagnia, definita come “le realtà più interessanti del nuovo panorama italiano” (Nicola Viesti, Hystrio) e “le nuove forze del teatro, che nascono letteralmente dal basso” (Renato Palazzi, Il sole 24 ore) da subito si connota per l’impegno civile sia attraverso gli spettacoli che attraverso i laboratori rivolti sia ad attori che a bambini e ragazzi delle zone difficili del territorio.
Il primo progetto realizzato assieme è lo spettacolo ‘O Mare, incentrato sulla questione dell’immigrazione che fa parte della Selezione Premio Ustica ed è premiato come Generazione Scenario 2005.
The show focuses on the following realities of orphanages in response to Act 149 that established the closure of all orphanages in Italy December 31, 2007. To this end, the Company realized during the summer of 2006, in collaboration with the Mostar Intercultural Festival, a theater workshop at orphanage in Bosnia Egiptyan Village of Mostar.
From this experience comes the documentary and performance Super Dobro and drama of the new show "Saint Lucia Bella of Hope."


In May 2008, with the project "The Temptation" Sara Sun Notarbartolo Company Wins Award New ETI Creativity.
The show is supported by Ente Italian theater, the Teatro Stabile di Napoli Mercadante and the Spring Festival of Theatre.
Several laboratories made in close contact with the host territories (Palem, Naples, Mostar, Castrovillari, Padova, Marseille).
Among the projects:
"Pathways to Peace", a workshop to educate non-violence through theater, designed for children on the outskirts of Naples.
"Small circus schools" for children in the neighborhood of Naples Montesanto, children of Roma camps in the suburbs.
"Arrevuoto, Scampia-Napoli" a project that Mercadante Teatro Stabile di Napoli joins the boys of the city center with the kids in the suburbs of modest means.

summer 2009 they realize the Neapolitan Ramblas, a series of street theater in the Festival Theatre Fringe Festival of Italy with the aim to obtain from the City of Naples, the legalization of street art in the area.
summer of 2010, the Festival is the official program of the Ramblas Theatre Festival Naples Italy.
Also for the Napoli Teatro Festival Italy perform two shows for the "Waiting" on texts by Paul of Paul and Andrea De Carlo.
In summer 2010 he started working on a drama workshop and "Lux, or Faust o della Bella Vita ”, realizzato con Libera Scena Ensamble e con il sostegno del Goethe Institut.
Lo spettacolo, incentrato sul Faust e sul lavoro precario, nasce con tre laboratori: a Marsiglia, presso La Friche la Belle de Mai, a Napoli, presso il Teatro Area Nord e a Palermo, presso La Vicaria.


Dalla rassegna stampa

La Tentazione (2009 )

“Nel 1919 una famiglia meridionale decimata dalla guerra si barcamena tra rituali del passato e minacce del futuro.(…)La madre vedova tenta di reprimere una figlia mistica le cui inconfessate pulsioni sessuali prendono la forma di un’emissione incontrollata di fiori, salutata come a miracle. The pace is cheerfully chaotic motion by witty moments and applauded by singing vaudeville dialect "
Masolino D'Amico, La Stampa

" in this set was a chilling isolation of the search expression, the attitude of the usual East Taverna, assumes a hue sound, an extra hand and a swing set (...) Attention to detail takes plastic consistency, alignment scenarios durable elements and user-
Dario Tomasello, Theatres Present Time


"between fable and hagiography, the show lays bare the temptation of normality in a bourgeois interior of Naples after the First World War, giving us (...) the portrait of a society dedicated to the cult dell'appenza "
Andrea Nanni, Hystrio


" The play written and directed by Sara Sun Notarbartolo is young and old, traditional and innovative, like a fine historical novel - historical province of Naples 1919 - and timeless.
Mautone the middle-class respectability in the family is threatened by a phenomenon not coded: the teenager's house begins to bloom. literally. "
Natasha Day Corriere del Mezzogiorno


" The temptation has really Enchanted (...) a strong dramatic characterization that relies on the mystery of the carnality of Assuntina, a girl who sweats and flowers works wonders.
Qell'intenso fragrance of flowers is becoming stronger and bigger and bigger as the beauty of the great shame. A cheerful and chaotic rhythm driven by excellent actors. "
Dorothy understood, Money


S door of Bella Lucia Hope (2007/2008)

" The story of the orphanage to Beautiful Hope of Saint Lucia, close to its value of the complaint, in his set an example of civic theater, is developed as a powerful representative of the time, made up of knowledgeable and engaging rhythms, which is able to expand until it became a metaphor for a world on the edge that becomes our "
Nicola Viesti-Hystrio

"Surprise and excitement, delirium short della memoria e dell’invenzione, passione dolorosa che si concede al sorriso, concerto per voci corpi e musica. Così Sara Sole costruisce la sua architettura di frastagliati percorsi e profonde emozioni. Teatro capace di fare male, con dolcezza. Per profondità e intelligenza”
Giulio Baffi La Repubblica, Napoli

“Taverna Est conserva intatta la sua vena fortemente personale, difficilmente riconducibile a modelli codificati. (…) lo stile aguzzo della Notarbartolo si riafferma nell'intensità di quelle figurette sghembe, che affiorano dalla penombra come memorie spettrali, nella naturalezza con cui affiancano la parola al suono dei propri strumenti”
Renato Palazzi Del Teatro

"Un teatro civile lontanissimo dalla freddezza della cronaca che attinge al gesto vitale e al gusto per il gioco teatrale con energia e freschezza rare "
Simona Spaventa - La Repubblica - Milano

“A questo spettacolo si ride, quasi si canta col cuore e si piange. L’abbandono si fa poesia e la bellezza dei gesti rende luminosa la materia dolente.”
Natascia Festa Corriere del Mezzogiorno"


“Ancora una volta Sara Sole Notarbartolo coniuga, in maniera esemplare, cronaca e teatro civile; la sua drammaturgia, rigorosa e attenta, è intesa a provocare una profonda riflessione sulla nostra attuale situazione politica e ci rimanda, per certi aspetti, al dramma documentario Peter Weiss. "Siano Marcella
-Teatro.org


" (...) there are sounds, voices, smells, colors, and various human races and games, poetry, and anger, children and old old, friendships, fights and jealousies, hopes, prayers, liturgies, dreams, fears and expectations. And there is pain, real pain, firm, dull "
Paul Randazzo Dramma.it


'O Mare (2005/2006)

"I'm the new energy of the theater literally rising from the bottom [...] a story sharp and painful [...] nothing refers to a traditional text, 'O Mare waste schemes and conventions."
Renato Palazzi, Il sole 24 ore

“Assolutamente da non perdere (…)la rivelazione nel panorama del teatro di ricerca italiano”
Paola Tripoli, Area (CH)

“Spettacolo molto premiato e amato nei festival. L’ho amato anche io per l’allegria che è stato capace di comunicare, per la fantasia di cui è colmo. Esercizio per funamboliche imprese, irresistibili musiche stonate, paradossi ed eccessi, per dire di emigrazione e amore, di disagio e di ottusa burocrazia che opprime.”
Giulio Baffi, La Repubblica


“Le realtà più interessanti della nuova scena italiana (…) i cinque attori, che mettono insieme Nord e Sud d’Italia con l’Albania e l’Argentina, sono di quelli che difficilmente si dimenticano”
Nicola Viesti, Hystrio


“Le cose migliori di questa pièce: il pastiche linguistico che si estende fino all’afonia, l’uso sapiente di una drammaturgia di corpi e la levità di una regia fresca ma matura. Come dire: tutto.”
Natascia Festa, Il corriere del mezzogiorno

“Per approdare a un mare sempre “ormai vicino”, ma mai raggiunto… Saltimbanchi e musicisti tra cui una sordomuta, si fermano ogni tanto davanti a immaginari spettatori ai quali regalano la loro arte. Un funerale, un processo e la celebrazione di un matrimonio scandiscono i microdrammi emerged and punctuate the action that has its strength in the construction of the story. "
Giuseppe Distefano, Primafila



Around Water (2003, revival 2007)

" With "Around the water" Sara Sun Notarbartolo confirming membership in the group stage of the research frontier of Italian (and Naples) that moves from one stage writing without signs of poor cyclical measures and vigorous drama of the body (...) the continuous freeze-frame film, real their "cut" from a dark scene and another, show the original expressive figure of the young director Neapolitan
Stefano De Stefano –Corriere del Mezzogiorno


“…racconto costruito in ellittico percorso che torna a incominciare il suo viaggio a ogni cesura. (….) Nico Ciliberti, Andrea Contaldo e Alessandra D’Elia percorrono con intensa passione e belle invenzioni, costruendo “piccole tragedie sospese per surreali incipit” come fosse un tormento che non si cancella, messo insieme segmento in segmento a dare inquiete emozioni e qualche brivido d’ironia”
Giulio Baffi - La Repubblica


“Il pubblico si ritrova ad assistere al dissezionarsi dei sentimenti dei protagonisti prigionieri sottocoperta di una fantasmagorica nave i quali scagliano reciprocamente la propria cruelty, linguistic and dialect, physical, psycho-pathological (....) The dramatic circle traced by Sara Sun Notarbartolo germinates long narrative trajectories jagged "as if it could be prolonged indefinitely"
Francesco Urbano - The Rome


"Starting from that lump of seductive suggestions, developed by Sara Sun dramaturgical research Notarbartolo, spirited and sensitive director and author of Naples, which accords with verifiable skills and valuable balance, lyrical tension and muscle tension, setting the performance space as a place of ' interaction between forces and archetypes un'inaccessibile and concrete physical reality and material " Claudio
Finelli - Teatro.org

Columbia, Mo Booze Cruise

jealousy

keep your face on your chest, feel the beat del tuo cuore rimbombare nel mio orecchio, sento il tuo pelo solleticarmi il naso, sento la tua mano accarezzare i miei capelli. sono felice ed emozionata, sento il cuore aperto e una lama calda e affilata che vi scivola dentro, come nel burro. provo un dolore sottile e piacevole...

PERÒ NON È VERO

sul tuo petto c'è un'altra donna, il tuo cuore rimbomba nel suo orecchio, il tuo pelo solletica il suo naso, la tua mano accarezza i suoi capelli. è lei ad emozionarsi con te e tu con lei.
la lama che entra nel mio cuore è fredda e poco affilata e non scivola e io provo un dolore atroce.

Condividi

Is Troll And Toad Reliable

look at the moon

a metà settembre la luna era grande. la I watched from the window of the car (rear right: my place a child in the car of my parents) when I flew back home on the plain, as well as rosy. the moon was low on the horizon, and red. in the time that I watched, she walked away from the horizon more and more, without break, without slowing down, as the inexorable passage of time, I thought about how many things people have said and done and thought in front of her, to all those stories from Perugia kiss that lovers tell. but she continues with its speed and ignore everything. perhaps romance means just realize this. Share

Spondylosis In Soldiers

is strange being naked in front of others makes us feel helpless and exposed, we have nothing to hide behind. is a sense of decency variously interpreted: there are people who are comfortable without clothes, but are not willing to reveal more of themselves from the body, there are people around who tell you (maybe), but are not willing to show their body.

there are people who in any case, we are naked or dressed, they are unable to see beyond our own shells .

now I feel so naked in front of him. Share

Frustration Card Game Rules

TAVERN FRIDAY October 2 The temptation is' A TORINO

AT 21.30

Royal Riding, Riding the Royal

INTERNATIONAL FESTIVAL

THROUGH THE SACRED ORDINARY

has

"THE TEMPTATION"

a show

Sara Sun Notarbartolo
Premio Nuove Creatività

una produzione di

Taverna Est

con il sostegno dell’ETI

in collaborazione con

Mercadante Teatro Stabile di Napoli

Festival Primavera dei Teatri

Itinerarte

con
Giulio Barbato , Claudio Javier Benegas, Pietro Botte, Nico Ciliberti, Valentina Curatoli, Patrizia Monti, Antonella Romano, Ramona Tripodi

"In 1919 a southern family decimated by war only goes from the rituals of the past and threats of the future. (...) The widowed mother tries to suppress a subsidiary whose unacknowledged mystical sexual urges take the form of uncontrolled emission of flowers, hailed as a miracle. The pace is cheerfully chaotic motion by witty moments and applauded by singing vaudeville dialect "

Masolino D'Amico, La Stampa

... .. Assuntina, poor thing, had no intention of doing a bad thing .
asks forgiveness from Jesus for the fire that you hear him, but happens that the fire does not pass and one day, poor thing, she begins to give off a smell of flowers, the smell of holy smell is out of the house and now this thing is known.
The story we tell is set in a town in southern Italy, we are in 1919.
The first great war is over and yet you feel the weight, fascism is coming but no one even imagines.
Everything is prepared for the worst but no one wants to notice anything, not even the most obvious oddities, like a young girl who falls prey to publicly floral pollutions.
We are in a good family in the war that has lost most of his men, Donna Lucia, the head of the family, is now circondata da parenti emigranti (dal Veneto, dall’Argentina) che ritornano a casa, da spasimanti e da due figli, Michele e Assuntina, la bambina santa, di cui va tanto fiera la famiglia tutta, che fa la comunione tutte le mattine e non vede l’ora di prendere i voti.
Così com’è che accade, arriva qualcosa che smuove la radice segreta di questo equilibrio, la passione mistica si fa carne, si fa petali di fiori che prendono possesso di ogni possibile spazio di normalità in eruzioni dal profumo inoccultabile.

Sara Sole Notarbartolo

Wedding Congratulations Phrases

words in public nudity

is tedious to write without an audience.

if there is an audience, the words are not public: rimangono private.
e rimangono parole fino a che nessuno le legge. se c'è qualcuno che le legge allora esse cominciano a significare qualcosa: che rappresenta più le idee dello scrittore o più quelle del lettore, a seconda dell'abilità dello scrittore. e della fantasia del lettore.

per oggi però niente, né di pubblico né di privato, ché sono di umore nero.

Condividi

Beautiful Agony Free Preview

SANTA LUCIA-date press


“La vicenda del brefotrofio di Santa Lucia della Bella Speranza, accanto al suo valore di complaint, his set an example of civic theater, is developed as a powerful representative of the time, made up of knowledgeable and engaging rhythms, which is able to expand until it became a metaphor for a world on the edge that becomes our "
Nicola Viesti - Hystrio

"Surprise and excitement, delirium, short memory and invention, painful passion that you grant to smiling, bodies and voices to concert music. So Sara Sun builds its architecture jagged paths and deep emotions. Theatre can do evil with kindness. For depth and understanding "
Giulio Baffi La Repubblica, Naples

"Taverna East still retains its highly personal vein, difficult due to coded models. (...) The style of sharp Notarbartolo is reaffirmed in the intensity of those crooked little figures, which emerge from the shadows as memories spectrum, in the naturalness with which flank the floor to the sound of their instruments "
Renato Palazzi Del Teatro

" A civic theater far from the coldness of the chronicle that draws gesture to life and a taste for the theatrical play with energy and freshness rare "
Simona Spaventa - The Republic - Milan

" At this show we laugh, we sing with heart and almost crying. Abandonment becomes poetry and the luminous beauty of the gesture makes the painful matter. "
Natasha Day Corriere del Mezzogiorno"


"Again Sara Sun once Notarbartolo combines, in an exemplary fashion, theater news and calendar, and its drama, rigorous and careful, is intended to cause a profound reflection on our current political situation and reminds us, in some respects, the drama documentary by Peter Weiss . - Siano Marcella - Teatro.org

"(...) there are sounds, voices, smells, colors, and various human races and games, poetry, and anger, children and old old, friendships, jealousies and conflicts, hopes, prayers, liturgies, dreams, fears and expectations. And there is pain, real pain, stop, deaf "
Paul Randazzo Dramma.it



History
The orphanage of" Saint Lucia Bella of Hope "is on fire. Unique
investigated four kids from the faces and frightened eyes that sincere Institute also continued to live after it was closed.
During interrogation it turns out that they had cans of gasoline, explosives, matches and suitcases ready by the door. What
in the past when there were still priests, had already shown some love for the fire.
What have every reason to achieve their criminal plan. What
But in reality, most likely, they are completely innocent.


Foreword by real
a state law (the 149 of 2001) decided on 31 December 2007, the closing of all residential institutions for children or their conversion into family home. Without anyone saying anything this "innovation" involved some 200 this year, with more than 2,600 children inside.
is not just for orphans but children for various reasons can not live with their parents and are hard to enter the lists of adoptability.
family houses, which are created by the best intentions, structures are fragile, with no protection against family violence, families of the Camorra, of private profit: Each child pays a monthly amount and they are already fairly frequent reports of side structures in which a variable number of children is kept on the edge of hunger, and with no care.
What is happening is that the abandonment of children is also becoming abandonment of their host structures, these structures have less political clout, the operators are left without salaries for months, the famous diary, which make a lot of groove to some criminals very often are suspended and the dispensations of these places remain empty, the shoes are broken, the notebooks can not be bought. And all this
sta avvenendo nel più totale silenzio.
Non se ne parla, non se ne scrive, non se ne sa: non è successo niente.


Il progetto
Santa Lucia della Bella Speranza è un progetto che prende vita in Italia e muove i primi passi in Bosnia, a Mostar, all’interno dell’orfanotrofio Egiptian Village, in cui abbiamo avuto la possibilità di incontrare, di guardare negli occhi, i protagonisti della storia che stavamo raccontando.
Lì abbiamo offerto un laboratorio teatrale e in cambio abbiamo avuto la possibilità di scoprire davvero, dal di dentro, come può essere la vita di una comunità di bambini senza genitori.
Siamo rimasti stupiti da tutta la forza di these little people and it is this constant reference that we have begun to define the personality and the possible lives of the four orphans that we are telling.
The drama was born in this experience is defined in the play and ended in Argentina in the province of Buenos Aires where other eyes of other stories have been the missing piece, the final act.



tavern tavern east
est@yahoo.it;
3891503623
www.teatrotaverna.blogspot.com

Thyromegaly Picttures

PROCIDA RESIDENTIAL WORKSHOP WILL BE DIRECTED BY THE SUN Notarbartolo


from 7 to 11 September.

info
tavernaest@yahoo.it

How To Register Sims 3 Bought Online

penutilmo The solitary journey

Today someone help me?

Charlie sported a recurrence, anonymous, and lonely wandering, in procinto di salire sul tram. Da quando si era trasferito, la foule folle di Roma aveva sempre provocato in lui la claustrofobica sensazione di morire soffocato, come se il viso venisse avvolto in una busta di plastica. Era abituato ai piccoli centri Charlie, in cui le persone si prendono vicendevolmente cura. Attonito, osservava il susseguirsi di irrefrenabili pensieri angoscianti.

Forse la ragazza con la quale sono uscito qualche sera fa. Oggi, forse, si ricorderà di me. Potrebbe, casualmente, attraversare la stessa strada che abbiamo percorso insieme e, alla vista del lampione sotto cui ci siamo abbracciati, non riuscirà a non rivolgermi il suo pensiero. Forse.

kept repeating Charlie taking place in the car. Observed around them, each with a dark look like lonely face down, hands tighten myriad of books and mp3 players.

Not everyone has the courage to hear your thoughts. Not everyone has the courage to communicate what they feel the presence of strangers.

Surprised, I admired a few people discuss, two boys smiling, a little doubt.

Maybe you have so someone who does not need to wish any .

Too many days had passed, her eyes embedded in the ceiling in a dark room, hoping that someone was.

Maybe it will be a longtime friend to remember me. Unwittingly finds himself flipping through a photo album and do not resist the desire to call me. Or maybe it will be one of those friends, gone too fast for my life, to feel my lack .

was a strong sense of loneliness, in the dispersed city. An ant in search of food, flattered but foundered in the oil, here as he used to be called Charlie.

In the past I've had someone

while Charlie continued to repeat the thought of a razor, paved new roads in and out of the maelstrom of repressed his pain.

Maybe if I am smitten by her arms, walking down the street someone would notice my long sleeves in summer. Perhaps, wondering why and when to costrettomi bare arms, trying to speak .

conspired Thoughts so that, unrestrained, stepped in if the need to communicate.
- "you know someone who does not need anyone?" - Churches Charlie gazing, the old lady sitting in front of him.
With a groan of dismay the woman turned him an expression of contempt, and then redirect our gaze to the window.

Nothing comparably suffering Charlie had never felt that the reflection of a dormant form of 'indifference. Hurriedly rushed to the front door of the car getting ready to go down. His eyes ripple of tears. All around was inevitably obscure. But it was as if he lost any what sense had never been so clear until now.

Every spends his life painting a sense, any sense not to make it more bearable. This is the meaning of my loneliness, lack of meaning of my life caged. Dodging ambulatory
countless eyes, once found a house, a sheet posted on the door that says, "It would only be enough for some, maybe."

Besides hiding all feeling a liquid torment. In the face of a fragmented insane pain, lonely. Days were still looking in the mirror disavowing his image, in that reflection in the black skin and bones mirror. The mystification of anxiety led him to debating the smallest glimmer of hope that was preparing to close the microscopic beat of her lashes, fragile. Maybe he just needed to try something else. Love someone, love for himself, universal love.

grabbing a kitchen knife, he closed his eyes, penetrated the abdomen, felt the cold blade right into the intestine.

fell on the ground and breathed his last.

How Thick Is A Toilet Paper Roll

June 25 SAINT LUCIA IN SYRACUSE



nella rassegna messinese Vita e Cultura, presso l'ex Convento del Ritiro

Taverna Est
presenta
SANTA LUCIA DELLA BELLA SPERANZA
uno spettacolo di Sara Sole Notarbartolo

con Giulio Barbato, Claudio Javier Benegas, Beatrice Ciampaglia,Valentina Curatoli.


Produzione esecutiva Intineraarte

Ascites More Condition_symptoms

TAVERN EAST DOOR IN NAPLES RAMBLA


TAVERNA EST presenta “RAMBLAS - vie permanenti dell’arte di strada” di BenegasBarbatoSole dal 19 al 21 giugno a Napoli

Il Progetto Ramblas nasce da un’idea di Sara Sole Notarbartolo e prende forma grazie all’impegno e allo spirito creativo di Giulio Barbato e Claudio Javier Benegas che operano in Naples as street artists since 2004.
The goal is to create a permanent street arts in Naples, the street where spaces are easily granted and permits for street artists and a hat that becomes a landmark, an event for the inhabitants of the city and for its visitors.

So from 19 June to 21 among more than thirty artists, bands, acrobats, musicians will create a continuous, traveling festival with events and performances for the audience that crosses Via Scarlatti, Via Toledo and the Villa Comunale.

"says Sara-born All-Notarbartolo a Sunday morning, when, sad and naked in a park of this city, two artists di strada iniziarono ad allestire uno spettacolo: si formò subito un grande cerchio di mamme e bambini, ragazzi e turisti ma tutto venne interrotto da due operatori comunali che impedirono agli artisti di esibirsi sostenendo che “a Napoli è vietato fare spettacoli di strada!” Il risultato fu incredibile, i bambini iniziarono a piangere e il pubblico iniziò a protestare con una tale veemenza che alla fine furono proprio gli artisti a calmare gli animi e a smontare tutto.
Mamme e bambini tornarono nello sporco parco vicino al mare, tra spazzatura e siringhe usate. E gli artisti si allontanarono con il loro carico di poesia e meraviglie.”

Il desiderio di Taverna Est, è quello di lasciare una traccia e creare un precedente it is obvious that the value for the city (but also cultural tourism) street art and the need to give legal recognition to the artists.

The event, which the association is working Tavern East for over a year, will be supported by the Fringe Theatre Festival Italy with the simplification of permits and the panels of cardboard on which the logo will be placed E45.

TAVERN EST, to take this opportunity to state that I strongly believe that WE MUST NOT ALLOW Mazzetti, NE 'MUST SELL TO THE PRIVATE THEATRE MINACCE.E DEFENDS a Naples that can change.

Hemochromatosis And Frozen Shoulder

la libertà della solitudine è disarmante

Condividi

A Big Public Library Is To Be Constructed

FIRST NATIONAL DE LA TEMPTATION "A SPRING OF THEATRE WORKSHOP SUPER



FRIDAY, June 5, ORE 22,30 FESTIVAL PRIMAVERA DEI TEATRI

E' nell'ambito del Festival Primavera dei Teatri che la compagnia Taverna Est presenterà la prima nazionale de La Tentazione.
Lo spettacolo, Premio Nuove Cretività, con il sostegno dell'ETI, è scritto e diretto da Sara Sole Notarbartolo e vede in scena Giulio Barbato, Claudio Javier Benegas, Pietro Botte, Valentina Curatoli, Lisa Falzarano, Rosario Giglio, Marlilisa Mautone, Antonella Romano.
Il disegno luci è curato da Silvia D'Alesio, scene e costumi El Pampa.


Lo spettacolo racconta una storia avvenuta a Napoli, nel 1919, quando, appena finita la guerra, nel mentre che prendeva forma il fascismo, una ragazzina di nome Assuntina cominciò a cacciare fiori dalla carne e a i fare miracoli.


una produzione Taverna Est
con la collaborazione di
Itineraarte
Teatro Stabile di Napoli
Scena Verticale
Eti



info
tavernaest@yahoo.it
3891503623

Memorex Cd Ipod Player Mi 1200 Reviews

Luoghi_

Here, where the air is drenched in dust and
vita non concede spazio al vento

Qui, dove gli affetti di giornata
sfumano dietro sorrisi mascheranti
e un bambino qualunque
trasforma in gioco la sua creatività


La pelle si sgretola in brandelli di inquietudine,
molesta.



Qui, dove i miei occhi
non hanno smesso di tremare

Qui, dove i soffitti crollano
frantumando ogni più illogica certezza
e brillano meccaniche celesti

to give peace under



The sense of pain raises a fault in the gaps smoothed by harrowing
surrendered.

Meningioma More Condition_symptoms

(illusa.

Pregnant Woman (Marc Chagall, 1913)

impresses without force
(Alcuna.
light of its mild
(Richiamo.
The belly of a mother
(Ingrandita.
From patient
(Attesa.


Scquarcia casings
(Notturni.
Colors infinite
(D'echo.
In soft references
(Superstiti.
lifetimes
(Sopra.


the wire,
(Disteso.
of madness.

Milena Velba Big Boob Model

(Silence

on those pavements

(Perle amaranth.

white powders

(silent circle.

cover myself

(Respirano.

In those moments

(Grey torments.

I seek shelter

(without touching them.

Inhaling reality.

(Sospirano.

Vezon And Kardas Vezon Instructions

Tele 's air

And like a veil Maya

around me unconscious

the thin light of a moment, fleeting,

is preparing to give the curtain

to myths raindrops, silky.

And like a blanket, protecting me,

e la musica si snoda

fuori il vetro della mia campana.

E trattengo nuove sensazioni

liberando il fiato verso i tuoi polmoni,

così grandi da scalfire

il vuoto che io, sento, dentro.

E la terra mi concede sentimento

coltivato nel silenzio di un respiro, fugace,

e separa,onde e onde custodite

tra sabbiosa schiuma,

per scoprire riparo

nella profondità dei tuoi occhi, diamante.

E la schiuma si rifugia tra conchiglie

e riporta il profumo del mare

che oltrepassa,

in fermi istanti di memoria,

tele d' aria.

Lisa-shae Butler Forum

a life of freedom

ho vissuto una vita di sabbia, che mi è scivolata tra le mani, senza che io riuscissi a trattenere nulla.

only I could keep her hands when the sand was wet, from tears.

that's left is the pain and heavy wet sand.
other remains are the memories: the heavy stones that remain on the bottom. Share

Samantha Anderson 38g

sand seekers can not find

I found in you what I have been looking for.
in you what I tried I never found.


I have never found anything I wanted. Share

Your Account Is Locked Continuum

confusion


for love or hatred for

?

for solitude ... Share

Shoulder Pain Cold Drink

like Prometheus


come prometeo, ho voluto il fuoco.
e ho bruciato, e ho voluto che altri bruciassero.

ahi, quanto mi piaceva quel calore!

bruciavo e non pensavo che gli dei si sarebbero arrabbiati, non pensavo di portare via niente a nessuno.

invece mi sono ritrovata incatenata a questa roccia; e così da quel giorno, tutti i giorni, arriva quella dannata aquila (o forse dannata sono io??) a mangiucchiare il mio fegato.
così da quel giorno, tutti i giorni, continuo a soffrire a causa di quel fuoco che tanto avevo desiderato. e vorrei ancora quel fuoco, per allontanare l'aquila; invece sono qua incatenata e non riesco più a muovermi.

ahi, quanto è painful every day!

and sometimes I suspect that even if the chains that keep me stuck on this rock were to melt, I should be here standing waiting for the eagle that is now in the habit of his visit, maybe sooner or later we will make friends.

and that fire is now burning with someone else, maybe something good in all this history remains. Share