THE TEMPTATION
Sara Sun Notarbartolo
ETI New Creativity Award
with: Giulio Barbato, Claudio Javier Benegas, Peter Botte, Nico Ciliberti, Valentina Curatolo, Patrizia Monti, Antonio Roman, Ramona Tripodi
“Nel 1919 una famiglia meridionale decimata dalla guerra si barcamena tra rituali del passato e minacce del futuro.(…)La madre vedova tenta di reprimere una figlia mistica le cui inconfessate pulsioni sessuali prendono la forma di un’emissione incontrollata di fiori, salutata come un miracolo. Il ritmo allegramente caotico è movimentato da arguti ed applauditissimi momenti canori da avanspettacolo dialettale”
Masolino D’Amico , La Stampa
"Tra fiaba e agiografia, lo spettacolo mette a nudo la tentazione della normalità in un interno borghese partenopeo all'indomani della prima guerra mondiale(...) regalandoci il portrait of a society dedicated to the cult of appearance "
Andrea Nanni , Hystrio
SAINT LUCIA BELLA OF HOPE
Sara Sun Notarbartolo
with
Giulio Barbato, Claudio Javier Benegas, Beatrice Ciampaglia, Valentina Curatolo
"The story of the orphanage to Beautiful Hope of Saint Lucia, close to the value of his complaint, his set an example of civic theater, is developed as a powerful representative of the time, made up of knowledgeable and engaging rhythms, which is able to widen until it became a metaphor for a world on the edge that becomes our "
Nicola Viesti - Hystrio
" Surprise and excitement, delirium, short memory and invention, painful passion that is allowed to smile, concert bodies voices and music. So Sara Sun builds its architecture jagged paths and deep emotions. Theatre can do evil with kindness. To depth and understanding "
Giulio Baffi - La Repubblica, Naples
'O MARE
Sara Sun Notarbartolo
PRIZE GENERATION SCENARIO 2005
http://www.youtube.com/watchv=aopZPZ03Rxc&NR=1
with
Giulio Barbato, Claudio Javier Benegas, Peter Botte, Nicola Laieta, Ramona Tripodi
"I'm the new energy of the theater literally rising from the bottom [...] a sharp and painful history [...] nothing refers to a traditional text, 'O Mare waste schemes and conventions. "
Renato Palazzi, Il sole 24 ore
" The best things about this play: the linguistic pastiche that extends all'afonia, the wise use of a dramaturgy of bodies and the lightness of a director fresh but mature. How to say everything. "
Natasha Day, The Courier midday
Renato Palazzi, Il sole 24 ore
" The best things about this play: the linguistic pastiche that extends all'afonia, the wise use of a dramaturgy of bodies and the lightness of a director fresh but mature. How to say everything. "
Natasha Day, The Courier midday
Tavern East Theatre
+39 0814203208 +39 3891503623
