“La vicenda del brefotrofio di Santa Lucia della Bella Speranza, accanto al suo valore di complaint, his set an example of civic theater, is developed as a powerful representative of the time, made up of knowledgeable and engaging rhythms, which is able to expand until it became a metaphor for a world on the edge that becomes our "
Nicola Viesti - Hystrio
"Surprise and excitement, delirium, short memory and invention, painful passion that you grant to smiling, bodies and voices to concert music. So Sara Sun builds its architecture jagged paths and deep emotions. Theatre can do evil with kindness. For depth and understanding "
Giulio Baffi La Repubblica, Naples
"Taverna East still retains its highly personal vein, difficult due to coded models. (...) The style of sharp Notarbartolo is reaffirmed in the intensity of those crooked little figures, which emerge from the shadows as memories spectrum, in the naturalness with which flank the floor to the sound of their instruments "
Renato Palazzi Del Teatro
" A civic theater far from the coldness of the chronicle that draws gesture to life and a taste for the theatrical play with energy and freshness rare "
Simona Spaventa - The Republic - Milan
" At this show we laugh, we sing with heart and almost crying. Abandonment becomes poetry and the luminous beauty of the gesture makes the painful matter. "
Natasha Day Corriere del Mezzogiorno"
"Again Sara Sun once Notarbartolo combines, in an exemplary fashion, theater news and calendar, and its drama, rigorous and careful, is intended to cause a profound reflection on our current political situation and reminds us, in some respects, the drama documentary by Peter Weiss . - Siano Marcella - Teatro.org
"(...) there are sounds, voices, smells, colors, and various human races and games, poetry, and anger, children and old old, friendships, jealousies and conflicts, hopes, prayers, liturgies, dreams, fears and expectations. And there is pain, real pain, stop, deaf "
Paul Randazzo Dramma.it
History
The orphanage of" Saint Lucia Bella of Hope "is on fire. Unique
investigated four kids from the faces and frightened eyes that sincere Institute also continued to live after it was closed.
During interrogation it turns out that they had cans of gasoline, explosives, matches and suitcases ready by the door. What
in the past when there were still priests, had already shown some love for the fire.
What have every reason to achieve their criminal plan. What
But in reality, most likely, they are completely innocent.
Foreword by real
a state law (the 149 of 2001) decided on 31 December 2007, the closing of all residential institutions for children or their conversion into family home. Without anyone saying anything this "innovation" involved some 200 this year, with more than 2,600 children inside.
is not just for orphans but children for various reasons can not live with their parents and are hard to enter the lists of adoptability.
family houses, which are created by the best intentions, structures are fragile, with no protection against family violence, families of the Camorra, of private profit: Each child pays a monthly amount and they are already fairly frequent reports of side structures in which a variable number of children is kept on the edge of hunger, and with no care.
What is happening is that the abandonment of children is also becoming abandonment of their host structures, these structures have less political clout, the operators are left without salaries for months, the famous diary, which make a lot of groove to some criminals very often are suspended and the dispensations of these places remain empty, the shoes are broken, the notebooks can not be bought. And all this
sta avvenendo nel più totale silenzio.
Non se ne parla, non se ne scrive, non se ne sa: non è successo niente.
Il progetto
Santa Lucia della Bella Speranza è un progetto che prende vita in Italia e muove i primi passi in Bosnia, a Mostar, all’interno dell’orfanotrofio Egiptian Village, in cui abbiamo avuto la possibilità di incontrare, di guardare negli occhi, i protagonisti della storia che stavamo raccontando.
Lì abbiamo offerto un laboratorio teatrale e in cambio abbiamo avuto la possibilità di scoprire davvero, dal di dentro, come può essere la vita di una comunità di bambini senza genitori.
Siamo rimasti stupiti da tutta la forza di these little people and it is this constant reference that we have begun to define the personality and the possible lives of the four orphans that we are telling.
The drama was born in this experience is defined in the play and ended in Argentina in the province of Buenos Aires where other eyes of other stories have been the missing piece, the final act.
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