Tuesday, December 7, 2010

Image Of A Woman Fagina

ORVIETO


IL December 10, at 21, oo, Sala del Carmine, Orvieto


THE TEMPTATION
Sara Sun Notarbartolo

New Creativity Award ETI


with: Giulio Barbato, Claudio Javier Benegas, Peter Botte, Nico Ciliberti, Valentina Curatolo Patrizia Monti, Antonio Roman, Ramona Tripodi






"In 1919 a southern family decimated by war only goes from the rituals of the past and threats of the future. (...) The widowed mother tries to suppress a daughter whose unacknowledged mystical sexual urges take the form of uncontrolled emission of flowers, hailed as a miracle. The ritmo allegramente caotico è movimentato da arguti ed applauditissimi momenti canori da avanspettacolo dialettale”
Masolino D’Amico , La Stampa


"Tra fiaba e agiografia, lo spettacolo mette a nudo la tentazione della normalità in un interno borghese partenopeo all'indomani della prima guerra mondiale(...) regalandoci il ritratto di una società votata al culto dell'apparenza"

Andrea Nanni , Hystrio



Venerdì 10 dicembre, presso la Sala del Carmine di Orvieto, part of the show "Twenty Ascensionali" will stage "The Temptation" the show created by Taverna East Mercadante Theatre in collaboration with the Teatro Stabile of Naples and the Spring Festival of Theatre.

For the strength and gentleness that characterizes it, the staging was awarded the Prize ETI New Creativity and sees the scene in Giulio Barbato, Claudio Javier Benegas, Peter Botte, Nico Ciliberti, Valentina Curatolo, Patrizia Monti, Antonella Romano and Ramona Tripodi. The music, all performed live, are cared for by David Della Monica.

"The Temptation", written and directed by Sara Sun Notarbartolo, tells the story of a young girl Assuntina, lived at the dawn of fascism, and inexplicably from one day to another, began to emit a strong scent and to expel from the meat real flowers. Greeted by people as a saint, Assuntina was first hidden and then buried alive by the family.

"Our - says the director - are years where the beauty and knowledge, are experienced as or consumer goods are useless, a sign of deviations from the crowd, not as commodified and shameful.

In the show's history and is surrounded almost Assuntina sign obscured by other events of a small town south of the pre-Fascist Italy: romances, serenades and stories petit bourgeois trying to overshadow all the oddities that belong to either the little girl to his executioners. "




Emanuele Tirelli

UfficioStampa

[mobile] +39 335.6935722

[mail] @ gmail.com tirelli.emanuele

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