Thursday, March 10, 2011

Raylene Richards Maserbating

The top ten movie monsters less credible

goonies_sloth_1024

Today we continue our series of personal and very special classifications taking care of the monsters seen on the screen less credible. Being a rather broad topic that covers many genres and let's make some distinction and a priori exclusion.

We excluded from the ranks of science fiction and horror films 50s and 60s limit is precisely in the special effects too dated to be judged, but we quote a representative of the monster-movies made in Japan that are usually itself, e naturalmente escluse anche le parodie che puntano su mostri volutamente farlocchi e fumettosi,

Quindi ci concentreremo su film che virano involontariamente nella parodia a causa di un make-up poco convincente o effetti digitali malamente realizzati , su mostri o creature che difficilmente potranno colpire la nostra fantasia o incutere la benchè minima inquietudine.

TOP TEN-IO MOSTRI DA DIMENTICARE

1- MEGA SHARK VS GIANT OCTOPUS di Jack Perez (USA,2009)

Un vero obrobrio, due mostri marini preistorici in CGI realizzati senza un minimo di cura, vorrebbe essere a parody but is revealed only irritating,

mega-shark-vs-giant-octopus-frame-golden-gate-bridge

2 - DEMONS 2 Lamberto Bava (Italy, 1986)

Sergio Boots make-up makes a truly spectacular and extreme, then check the demon doll winged version Muppet show chasing a Nancy Brilli snickering in pregnant, too much.

demoni2-05
3 - TROLL 2 Claudio Fragasso (Italy / USA, 1990)

Fragasso realizes one of the worst trash-movie history, to understand of the approximation of make-up and special effects, we refer queued to post the video.

troll2b

4 - ALIEN APOCALYPSE Josh Becker (USA, 2005)

hilarious parody of sci-fi with insectoid aliens who want to do the nasty Martians by Tim Burton, Bruce Campbell, but not enough to raise a CGI of poor quality and used a little too much nochalance.

Alien_apocalypse_insects

5 - IT Tommy Lee Wallace (USA, 1990)

Fair, and unfortunately only the transposition of the novel by Stephen King, television definitely the approach, and a disastrous final Ragnoni giant slaughters metaphysical epilogue of the book.

spider_small
6 - NEW MOON Chris Weitz (USA, 2009)

Bad choice to realize how huge cagnoloni snarling werewolves, really unlikely and in some sequences visually detached from the context, unforgivable for a high-profile production.

jacobwolf

7 - YETI by Paul Ziller (USA, 2008)

Bad make-up obviously fake unable to sustain any first floor, and just as embarrassing a couple of CGI sequences in really to forget.

vlcsnap35667251


8 - GAMER VS JIGER / KING KONG VS GODZILLA of Noriaki Yuasa (Japan, 1971)

absurd Italian title aside, is one of the monsters Gamera made in Japan certainly the least intriguing, its look by fang ninja turtle can not even compete with the falenone Mothra.

gamera1

9 - HOUSE OF THE DEAD Uwe Boll (USA, Canada, Germany, 2003)

Uwe Boll short of budget, churns out this ridiculous Z-movie with make-up more false and ridicule of the history of zombie movies.

hod4

10 - The Howling by Joe Dante (USA, 1981)

You know, here you tap a cult like werewolves mutants, but still the final sequence is transformed into direct wer-wolf in Yorkshire version just did not digest.

Immagine

Peter Ferraro

Wednesday, March 9, 2011

Power Rangers Zhane Livejournal

Official presentation Etna 09/10/2011



... and we will be there too!

To visit the site Etnacomics click here.

Saturday, March 5, 2011

Chelsea Charms Retired

Comics Number 7: Stop the Monkey is coming


cover Fabio Grasso

A March ... in your hands!

Wednesday, March 2, 2011

Milena Velba Merilyn Sakova



From the hands and minds of Alessio Vinci and Massimo Maggioni to March in F3 # 7: Stop the Monkey, and nothing will ever be the same.

Friday, February 25, 2011

Denise Milani Diapositivas

Crasheye number 5 in March on F3





Saturday, February 19, 2011

Where Do You Illegally Buy A Platypus?

LUX, FAUST OU, OU LA BELLE VIE

LUX, or Faust or La Belle Vie "
Sara Sole Notarbartolo




with
Chiara Barbato Giulio Baffi

Claudio Javier Benegas
Boot Pietro Curatola

Valentina Nicola ATIA

Directed by Sara Sole
Notarbartolo



a production of Teatro East
Taverna
with
Libera scenes together


with the support of Goethe Institute




thank you to The Wasteland Belle de Mai, Marseille
vicariance , Palermo


LUX est une histoire qui se déroule dans un petit immeuble impénétrable. Le bâtiment est une histoire en lui-même et en contient six autres. L’histoire centrale, celle de Faust, est petite et éternelle. C'est celle d'un homme qui est confronté à l'Ecriture, avec les démons, les saints et l'éternité. Il aimera Margherita et vendra son âme sans jamais sortir de chez lui. Car de ces maisons, personne ne sort jamais.
Il y a l'histoire de Jésus aux bonnes intentions, qui paie le loyer de son appartement en vendant du sang (le sien) et travaille dans une petite radio indépendante qui répond aux appels d'êtres désespérés. And among the desperate people there Margherita, who does not know how to pay the rent on her apartment. Thirty years old, she is a virgin because of too much timidity, too much loneliness and too much fear. The next apartment is inhabited by Fefe says Mephisto, dealer of prosthetic piecework. He speaks a strange language and is also happy because it would never go out and actually does not, it is not necessary. Tzetzi Belzebu concocts horoscopes and have lost the sense of anything. He decides with demons and Jesus to hold the end of the world unite and Mr. Faust and Margherita Virgin to be generated the new Christ. This makes the whole building very happy if we can call this contentment need something to happen, anything, even utter destruction. Lux is Lucifer, he is the sixth story. There is also a demon that operates humans in order to make and break things in the universe. Lux is the head, it turns on and off, and gets decided. He is mortified by his body of flesh, by the punishment that has all been born and, with the fate of a change history, placed in the wrong place in a country and a time that keeps them locked up in a few square meters allocated all in this set of houses. All inaccessible.
And then at that time and this place that can start à n'importe quel moment la fin du monde.


Personnages

Jésus est Jésus-Christ. Il a 33 ans. Il gère une petite station de radio indépendante avec laquelle il a un contrat de trois mois renouvelable: ‘Radio Jésus libère et sauve’.
Allié des demons car il se sent fondamentalement seul.Tous les démons appellent sans cesse la radio se faisant passer pour de grands pécheurs. Jésus en souffre beaucoup et perd la foi en l'humanité. Il est le conseiller de Margherita et la convaincra à accepter la reproduction avec Faust.
Margherita a la trentaine, vierge, chômeuse, déprimée. Dans sa vie elle n'a jamais gardé un emploi plus de 48 hours, and never had a man. She is beautiful but very shy, plagued by panic attacks, dizziness, dyslexia, agoraphobia, and imperceptibly overweight, which causes her constant depression.

Tzetzi (Beelzebub) is very sexy, sadistic, selling fake horoscopes. She has her period for several thousand years, and none can plus.Grande astrologer, one who is in the birth charts of Margherita and Faust those of the ancestors of the Antichrist.

Fefe (Mephistopheles) organ smuggler. It has a three-month contract with a factory in Colombia. Craftsman, hyperactive. It's a beastly devil, medieval, indomptable, très animal et sexuel. Il n'est pas très intelligent.

Faust est un écrivain. Il écrit des horribles feuilletons, jingles publicitaires, petits guides touristiques. Il est constamment stréssé et perpétuellement insatisfait. Il use de son écriture pour répandre et augmenter ce qu'il appelle « merde commerciale ». Le pacte avec le diable, qui lui propose de l’aider à devenir un grand écrivain, n’est pas pour son âme, mais pour ses spermatozoÏdes, appropriés à la création de l'antéchrist.

Lux (Lucifer) est le chef des démons. Il est chargé de mission dans une entreprise de téléphone rose. Toutes women who call want to be raped. It takes a lot to Faust and Jesus.


Visualization
Lux is a building of two étages.A each floor there are three apartments. Between the apartments there is no communication and sortie.Séparés each other and the public (a PVC plate is the facade of the building), we see them constantly act simultaneously.


Topics

FaustFaust Goethe is the main reference of writing. The man's desire for knowledge beyond his being until he lost the soul is the opposite of man "human being », vu aujourd'hui tel que le marché pour des raisons économiques, politiques et culturelles, veut qu'il soit.

Le travail précaireComment en sommes-nous arrivés là? Les pires prédictions de la fin de l'humain à tous les niveaux sont-elles en train de se réaliser?Le concept «produis, consomme, meurs » est porté par l’épuisement de toutes possibilités humaines: le travail précaire.Les vies « à projet » introduisent une anxiété telle chez l'homme contemporain qu'elles l'amènent d'un côté vers l'enfance perpétuelle, et de l'autre vers la consommation boulimique de « biens de consommation », rendus indispensables by the notion of well being and supposedly normalité.Le trip to the sub-humans is accompli.Mais if instead of us poor human beings, this thing had happened to divine beings? What would have happened to them?


mediated communication
absolutely opposed to the reality of Germany where it was written, our Faust opposes the action and knowledge, shows instead the total inaction due to a lack of willingness total knowledge: the less you know, the more one is happy. Unless we act, we are more contemporary, immersed in hearing the media, denied the divine nature of humanity that distinguished us from animals.

SolitudeTous apartments are islands. The houses are separated from each other, no sea unites them. No meeting anyone, and certainly nobody wants to meet anyone. Worse yet, everyone is terrified of having to one day be forced to meet someone.


Notes staging

This story, told with a musical spirit and rhythm, which proceeds by errors and paradoxes, unites a deep and eternal legend like Faust with the petty miseries of our pays.Elle puts demons and Jesus in the crowd of precarious et des derniers. Elle les pose là, pour voir comment ils se comportent, comment ils s'en sortent. Elle les conduit à être aliénés, comme nous le sommes nous-mêmes dans nos appartements. Méfiants et apeurés, dans un pays qui a organisé son propre manque de futur et son vieillissement social.
Et tandis que Faust est encore un homme qui aspire à beaucoup plus, autour de lui les démons ne sont mus par aucun désir de vie et sont tellement écrasants sur le commun des mortels que celui-ci ne ressent plus le besoin d'exceller.

Sara Sole Notarbartolo

Monday, February 14, 2011

Grown Men Pee The Bed?

Planetary and Wasteland. F3 recommended ....

Planetary: Archaeology spatiotemporal

"It's a strange world. Let's keep it that way."

"Good morning, Doctor Dowling. From here, things will only get worse."

(Elijah Snow)

Ultima fermata per gli Archeologi dell'impossibile in un volume che raccoglie le storie conclusive di una delle migliori serie di fantascienza a fumetti degli ultimi anni .

Nel lontano 1998 cominciava un viaggio di quasi undici anni nel mondo della fantascienza a fumetti, e non solo, ad opera di Warren Ellis , uno degli autori più capaci in circolazione e probabilmente l'unico in grado di trascendere, in corso d'opera, le pur buone premesse. Planetary, la serie in questione, si conclude sul mercato americano solo nel 2009, dopo varie traversie e ben quattro premi Eisner, proprio col volume: Planetary: archeologia spaziotemporale , uscito in Italia alla fine del 2010.

Interrotta per quasi tre anni a causa delle scarse condizioni di salute dell'autore e condizionata dai molteplici impegni e dai tempi biblici del disegnatore John Cassaday , invece di perdere mordente la serie ha acquisito sempre maggiore profondità e spessore, rendendo ogni numero un'opera d'arte a se stante ed allo stesso tempo un tassello in una meravigliosa quanto ambiziosa structure. Planetary ages like good wine does not disappoint and even in the grand finale where you usually can easily fall or similar miniseries left open the dilemmas lasted from the first page, all the chickens come home to roost in the universe of Ellis with a detail and a taste for the detail that is unbelievable. Born as a comic book not related either directly to the superheroes, but the superhero genre in general, immediately Planetary broadens the basis for forfeiture, reinterpreting it with elegance, almost a century of great literature and storytelling. The pulp '20s Doc Savage and Tarzan is mixed with the typical nuclear deepest terrors of the Cold War, Sherlock Holmes, ships spaziali senzienti, alla teoria delle superstringhe, ai sistemi di stoccaggio dati spirituali e ad innumerevoli altri elementi più o meno conosciuti tipici dell'immaginario che dal '900 arriva ai giorni nostri. Fattori che striderebbero in contatto l'uno con l'altro si amalgamano perfettamente nell'opera di Ellis creando per il lettore curiosità ben oltre i confini del genere fumettistico ma non tralasciandone comunque i capisaldi ed i personaggi chiave. Abbiamo in effetti una rivisitazione dei Fantastici Quattro, di Superman, Lanterna Verde, Wonder Woman, di ognuna delle colonne portanti del fumetto di supereroi sia come personaggi ben definiti e funzionali alla storia sia, in alcuni casi, come esempi di archetipi narrativi. L'autore scozzese riesce a create a view where at least two or three different levels of narrative can meet but not to the detriment of each other but remain accessible in their uniqueness. It 's just science fiction that is used by Ellis as a period of time of this design as complex as a key element that can hold the threads of the discussion and act as a carrier to the narrative, making the complex organic and fluid, making this one of the Best of the decade.

In the final pages of Planetary we see the silent war between Snow and the four travelers suffer ' escalate and become open to a succession of moves that will put all the resources accumulated in the field da entrambe le parti per poco meno di un secolo. Elijah dovrà testare la fiducia dei suoi nuovi alleati o presunti tali, come Anna Hark e John Stone, ma soprattutto dovrà trovare il modo per vincere senza mettersi sullo stesso piano di chi vuol sconfiggere. Una serie di colpi di scena fulminanti sveleranno importanti particolari sul passato dei protagonisti e specialmente su qualcuno che apparirà come un fantasma dall'oltretomba per far capire ad Elijah Snow quale potrebbe essere il suo scopo nel grande disegno delle cose. Un "Finale" col doppio botto chiude la scena portando il lettore a pregare di avere qualche altra pagina di fumetto ma al contempo rendendolo felice che si sia chiuso in questo modo.

Splendide As always pencils in art nouveau style of Cassaday, painstakingly edited down to the smallest details, perfect for storytelling. Expressions, environments, chiaroscuro and composition of the boards seem to undermine the real catapult directly to viewers around the streets of the mysterious world created by Warren Ellis. John Cassaday is one of those few people who can put on paper the most amazing wonders calling them fully, but at the same time, leaving the reader's imagination room to participate in the process of creation. A note of credit must also go to the inker Laura Martin for the work done on the boards of manic Cassaday giving depth and realism to a work that already started with the highest standards.

Wasteland: the shadow of God

A century after the disaster that has overwhelmed our planet by making a plain, lined with dried poisoned oceans, a strange traveler moves among the last vestiges of civilization, bringing with them too many secrets and unlucky events.

For more than three decades, the post-apocalyptic science fiction genre has continued to attract attention the public and the authors giving rise to more or less memorable works in both the literary and cinematic comics. Films like Mad Max, the late '70s, manga and animated series as Hokuto no Ken, the mid-80s, or as the beautiful Nausicaa by Hayao Miyazaki and the Legend of Mother Sarah, not to mention Akira, born from the pen of Katsuhiro Otomo, they were able to go beyond the interest of enthusiasts and professionals to become cornerstones of the collective. It 'so hard, nowadays, able to add something new to the genre or even approach it without evoking an atmosphere of deja-vu a priori lethal for the success of any business operation.

The English writer Antony Johnston did not give up and in 2006 he debuted in America in a series that would attempt, at least in the author's statement, touching the typical issues would lead to new and unexpected developments. It 's so born Wasteland, published by Oni Press and brought to Italy by Renoir Comics has just presented at Lucca Comics, the second volume: Wasteland: the shadow of God . If the first volume of the series still was not entirely clear what the work would have to contain innovative or at least not too obvious, in this volume intentions Johnston began to reveal the shadow of a particular design, but still a bit too fuzzy and fleeting.

After the destruction of the town of Providence, a strange group of survivors led by the mysterious Michael, a foreigner with no memory but with the peculiar faculty, and Abi, the Sheriff of Providence seems to have something in common with the Michael , arrive exhausted and dying in New Begins, considered a great city and a bastion of civility and lethal than the wild lands that surround it. What could be the Promised Land turns out to be a trap no less dangerous than anyone around her, with several warring factions fra loro e guidata dall'insondabile e pazzo Marcus, il cieco ma sempre giovane fondatore di New Begins. Deciso a mantenere salda la sua presa sulla città ed a favorire lo sviluppo del culto della propria persona in contrapposizione a quello dei Solari, Marcus rivolgerà la propria attenzione in particolare su Michael ed Abi, legati a lui da trame misteriose, ed inconsapevoli catalizzatori per i terribili eventi che cominciano a profilarsi all'orizzonte.

La narrazione di Johnston non perde un colpo e si muove come una macchina ben oliata guidando il lettore in un mondo crudele ed ormai distrutto che si dibatte negli ultimi ansiti di vita prima della fine. Non ci sono lieti fine, non ci sono sconti sul destino ma solo la crudele volontà di ognuno di sopravvivere che spesso e volentieri calpesta anche la più piccola parvenza di dignità o di calore umano. Nulla di nuovo fino a qui e nulla di nuovo nella caratterizzazione dei personaggi principali come eroi riluttanti che si trovano invischiati in eventi più grandi di loro e che solo dopo errori e costosi sbagli si ritrovano volenti o nolenti a fare la cosa giusta. Vari destini misteriosi si intrecciano sullo sfondo della mitica città di A-Ree-Yass-I, una terra promessa da cui è partita la distruzione del nostro pianeta e che potrebbe contenere le chiavi per la sua salvezza. Un buono sfondo, una buona struttura, una scrittura ben calibrata ma ancora solo l'accenno di particolari che potrebbero traghettare la serie fuori represented by the swamp by his illustrious predecessors, while what was promised by the author in the opening in terms of innovation. Details of genetic experiments, for kids with strange powers, references to pre-cataclysm technology are indeed enough to tickle the reader's interest, but far from fully satisfy or impress, or to expect them to think of some development really exciting and unexpected from a plot that has predictability in one of its worst failings. Wasteland is still not sinking in the swamp of what has gone before, but if he keeps his head out then is holding out for a breath, waiting for a major effort by a good writer and features that can not and should not be content to sit on the mountain of material from which it can draw.

Excellent drawings Christopher Mitten and very appropriate for the series of black and white but a little too tied to an oriental style, typical of manga, which contributes even more to evoke the ghosts of narrative where you are and wants to deviate at all costs to achieve a perfect outcome of the work. Section nice, well-defined characters and discreet eye to detail are the basic elements that might characterize a great artist, perhaps a little too anonymous and not fully developed a personal style.

In ogni caso, ci troviamo davanti a una buona lettura, tappa obbligata per gli appassionati del genere post-apocalittico, ed interessante per coloro che cercano un punto di partenza verso una storia in grado di contenere le potenzialità, ancora non appieno sfruttate, per diventare memorabile.

Ivan Lusetti

Thursday, February 10, 2011

Prolexis Does Not Work

I ° CONTEST FOR BEGINNERS COMICS: "wannabe cartoonist"


Amici Artisti ,

dal 9 all’11 Settembre 2011 si terrà per la prima volta a Catania , negli spazi del complesso
fieristico “ Le Ciminiere”, la mostra-mercato ETNA COMICS™ that will bring together all the major events in which we express and communicate the world of comics & games (comics, role play, cosplay, video games etc ....). Of course, we felt that more should be included as top event, a competition designed for young cartoonists and specifically dedicated to issues of Science Fiction, Fantasy and the Fantastic . Participants must submit their work by June 30, 2011 at: contest@etnacomics.com
The three works that will be considered the most original will be rewarded with the publication in the special issue of the magazine publishing house in Sicily Comics of the cube will carry out during the event and, of course, will be "networking" in the official web sites:
www.etnacomics.com - www.fumettialcubo.com
Technical Requirements: Each comic will
tell a story of 4-shot black-white plates. sending process: image files with 72 dpi resolution in black and white or grayscale, jpeg format.
the comics selected will receive instructions to send the file and the final release that permits the publication. Quiet: will not require any contribution or fee or any heavy tax for the participation the competition, all the rights of the work will remain the exclusive property of the author.

To download the pdf of the competition click here .

Good luck and see you soon.

Wednesday, February 9, 2011

Cleaning A Flintlock In 1820

The Metamorphosis of unknown animals in fabulous beasts


Bernard Heuvelmans

S
the stories that appear daily tired of seeing in its menu of beef, lamb chops or ham, Louis XVI implored one day the sky these words: "Oh God, donatemi a new animal."
Maybe it's just a legend, but certainly for many centuries this was the deepest prayer of every zoologist eager to see associare il suo nome alla scoperta di un animale ancora sconosciuto e diventare quindi immortale tutt' a un tratto.

Quando si evoca la scoperta di animali "nuovi" o "sconosciuti" è, beninteso, solo un modo di dire. Bisognerebbe dire piuttosto "nuovi per il mondo occidentale" o "sconosciuti dai nostri scienziati". I soli animali veramente "nuovi" sarebbero i rappresentanti di specie apparse nei nostri giorni sotto l' effetto dell' evoluzione incessante degli esseri viventi. (Si parla spesso di animali "preistorici", ma in verità ci troveremmo molto a disagio nel citare una sola specie tra i vertebrati almeno che non sia preistorica, che insomma non sia nata prima dell' inizio della storia).

Pochi animali are really unknown to 'Men in general, in every region of the world, the natives know all the wildlife that shares with them the' environment. And in the heart of every culture, the sages and scholars have always stretched the 'inventory as complete as possible of the animals in the region. The
"Tapir's mantle" in India, only described by zoologists in 1816 under the name Western scientific Tapirus indicus, was already two thousand years before the Chinese encyclopaedias as me, and the giant panda was discovered in 1869 in Sseu-Tch 'Ouan by his father Armand David, seems to have been mentioned in 621 in a manuscript of' T'ang era under the name of Bei-Shung (white bear).
The Gorilla, the cui il mondo atlantico non ha voluto ammettere l' esistenza che nel 1847, aveva già da lungo tempo un nome in tutti gli idiomi dell' Africa centrale ed occidentale ed era anche stato descritto con cura agli inizi del XVII secolo dall' avventuriero inglese Andrew Battel. Quando nel 1850 Brian H. Hodgson portò indietro dalla regione dell' Himalayana delle pelli e dei crani di una specie di montone grande come un bue, che denominò Budorcas taxicolor, non fece altro che far conoscere in Occidente l' animale che i Mishmi dell' Assam chiamavano Takin.

Fu nel 1878 che l' impero britannico apprese l' esistenza in Kenia di una stupefacente gazzella con il collo di giraffa che in seguito ricevette il nome di Litocranius walleri, ma sul posto l' Gerenak had always called, and, in 'antiquity, had not only been represented on the coarse rock carvings dating from the east bank of the Nile from three to four thousand years, but also realistic bas-reliefs dating from the reign of Ramses II (XIII century BC) .

In 1900, Harry H. Johnston, governor of the 'Uganda, revealed to the astonished world survival, the forests of the' Ituri, an ancestor of the giraffe dating from the Miocene (15 to 35 million years ago), but the 'animal was well known under the name Okapi, the Wa-Mbuti Pygmies, who did not disdain sometimes to eat meat.

Pavone of the Congo, discovered among the general amazement of ornithologists in 1936, including the collections of Museo del Congo Belga, a Tervuran, era una preda di caccia tradizionale che i Bakumu chiamavano Itundu, e i Wa-Bali, Ngowé. Anche il più celebre dei fossili viventi del nostro tempo, il Celecanto, descritto nel 1939 dal Professor J.L.B. Smith, non era una novità per i pescatori delle Comore, che talvolta lo pigliavano nelle loro reti, e lo denominavano un tempo M'tsamboidoi, prima di chiamarlo più comunemente Kombessa : essi si servivano persino delle squame spinose di questo pesce "a zampe", risalente a più di 300 milioni di anni, per grattare la camera d' aria bucata dei pneumatici delle loro biciclette prima di incollarvi una toppa di caucciù.
Bisogna dire che gli animali terrestri, ben più facili da osservare, and that you continue to discover new species here and there across the world, are always known to the people who live in their proximity. The large fossil Catogonus
peccary, found alive and well in Paraguay in 1975, was duly baptized with the name of the Indians of the Gran Chaco Tagua who hunted for their meat. When I tried it myself in 1969, survival in our age of residual populations of Neanderthals, based on careful study of a sample frozen recently killed in Vietnam, the scientific name of Homo Neanderthaliensis pongoides paleoantropi that I gave to these highly specialized, has not been in fact, that a further addition to many other names.

My discovery was actually the result of a systematic investigation that he had allowed to establish that such wild and hairy men were known from one end to 'more of' Asia - from the Caucasus to the Bering Strait and the Malacca peninsula - and referred to throughout with a specific name by local populations.
The only regions of the world in which living beings are totally unknown, are in fact those that are not inhabited by 'man that almost uninhabitable or impossible to cross, or even to understand, in short, of the immensity of dry ice, rocks or sand, Some peaks of unclimbed mountains, and, of course, the ocean depths.

said that, in contrast, it must be confessed that no animal there is well known.
Sull 'secret existence of those that are nocturnal or burrowing, desert or water, or inhabitants of the vast rainforest partly flooded, we can not know a great thing.
Actually there are still areas of 'shadow or serious gaps in our knowledge of the animals easier to observe. Even our pets to retain something of their mystery: we do not know yet, beyond all doubt, face like a cat purring! The French philosopher of science
Brunschvieg Leon used to say: "I want to explain everything primitive, while the advanced admit their shortcomings." This distinction between the thought of the "wild" and that of "Civilized" is artificial. Whether we like it or not, 'Unknown terror strikes down' one and all 'other. If
to win the primary uses of explanatory myths, the Western scientist fills the gaps in his knowledge of building hypotheses. And there is not much difference.

The mythical thought always seems more an evolutionary adaptation designed to guard against the representatives of our species associated with the trauma of new experiences, the more distressing, so why ever faced before. It seems that when the information received from the outside world through that part of the central nervous system is sometimes referred to as "emotional brain", they go to store in the same categories, on the same mental processes to align and deform in the same stereotypical molds of the spirit in which they develop characters and plots of our mythologies, epics of our stories or our wives.

It is generally a more or less clear distinction between the myths, regarded as essentially religious, heroic sagas or legends, and folklore, namely the 'set of beliefs, sayings and popular rites.
These different faces of a triptych in which they actually reflect the views of the world of the mystic, the poet and of 'man of the people, are structured in accordance with the laws the same, and that sort of forces divinely majestic cycle of nature, fantastic adventures the simple life of heroes and fairy tales, or even vulgar jokes humorous, they reveal only one built on the same model.
Because of the similarity of their process of mythologizing, the multiple vicissitudes of our insignificant individual existence - the 'painful experience of birth,' s expulsion from the womb, the 'icy hostility of the outside world, the primal pleasure of temporary food deprivation, consuming passion, but hampered by his mother, his rivalry with his father, the damper of the feed, and then, soon, the rivalry with the brothers and sisters, feelings of abandonment, loneliness, and the first later unfulfilled sexual desires, the fights and defeats, chess and humiliation, the betrayal and abandonment, divorce and death and death itself - all these daily misadventures seem eternal succession according to a script, that of cosmic traditions, historical or poetic.

So we seem, at first glance, the most natural thing in the world are no longer unexpected and terrifying tragedies that arise without warning and take us out of darkness by the throat and suck the blood, as if under the 'effect of a conspiracy evil forces that continues to destroy. If
'imagination deserves the nickname of "mad house" that we owe to Malebranche, his madness, however, the paranoid type, because it is a strictly systematized delirium. The laws are rigid and
coartanti 's imagination are clearly related to' architecture of our brains. It is they who have put up between 'the birth of another language, namely the' free association for nothing - but based on similarities, correspondences or parallels - selected phonemes and various objects, sensations, feelings and actions that constitute the our Universe.
them that I'm still contribute to furthering our knowledge and our understanding of natural phenomena, particularly that of animals of all kinds. Less
know of them, plus descriptions of their anatomy, their life and their costumes to go drawing on the thought processes, more associative really creative - and in any case prelogical and irrational - and more so it will look great filled with at the time of our science will begin to be interested in them.
When circumstances lead us in the presence of a being entirely unknown or rare, at least in our eyes - whether sore or unwilling to have left her natural habitat, is that for some reason we are there we entered - this meeting will seem so wonderful , so unusual that we tend to see a sign or perhaps an omen.
's why we have the' habit to call such animals "monsters" because, as Cicero said, 'Show' s future or what is hidden "(monster appellantur quia monstrant).
And we are not content to give them this name ambiguous: we mold, warped and adultery what we got to see them and extrapolate, with an unconscious bias, what we could not see, so as to let them in the most easily possible in a family structure to our mythical thought, in what CG Jung called an "archetype."
If the 'unusual animal, covered at will after being stranded on a beach, or just a glimpse into the thick of a forest, it seems huge, able to swallow, so terrifying, we describe it as necessarily a kind of dragon.
Just in case that does not have a horn on the forehead or nose or maybe a simple storage do hair, feathers or scales placed there, we, of course, turned it into a unicorn.
If you have a humanoid appearance without being a man and if living in camps or in the woods without the 'help of simple technology and especially if it is much more hairy than normal, take a wild man. If
will appear in the night, pale, sepulchral, \u200b\u200balmost elusive, no doubt it will look like a vampire in search of a prey to slaughter and then feeds on its blood, fresh, warm and regenerator.
If the 'animal, humanoid, is huge, hungry and threatening, we will call ogre. If, however
appear small and fearful we shall see him as a representative of the people of the fairies, miniature made pariahs in our own image and likeness, ready to help in exchange for small gifts, but certainly doomed, as you see them so rarely, to hide in the bowels of the earth.
If the 'extraordinary animal has shown us glimpses of the dark face of the waters of a lake is because they think should be the guardian of some swallowed treasure, a specific type of dragon: the lake monster.

If it is a very large bird whose silhouette stands out against a twilight sky, giving us a thrill in the back, attributed to him aggressive intentions and birds of prey, assimilation, even unwillingly of the Gryphon 'antiquity or to' Bird-Roc of the Arabian tales.
If you have a multi-colored plumage, iridescent and magnificent'll surely the Phoenix, the most beautiful of the inhabitants of this world. Me is certainly especially at sea or on the banks of the "monsters", abound, because of the marine animals will not get to feel that the little 'that can be glimpsed in a flash of time, when the curtain closes fleetingly waves here that 's imagination has a way of doing the lion's share!
If the animal is long and thin - which is the form that larger aquatic creatures end up taking to the mechanical reasons only - you affannerà to proclaim that he saw Grand sea serpent, the Leviathan of the Bible.

If he left out from 'huge wave of tentacles, it pale in thinking about the Kraken, the animal-sprawling island legends of Nordic and the giant octopus, able to seize entire ships colandoli to peak, the terror of sailors eager, in the past , of going to conquer the world.
And if the aquatic creature has a shape, even though roughly human, it will inevitably preferably a man or a woman ocean sea, a mermaid. Our imagination will grace his features up to give it an irresistible seduction skills, but we will try to escape, however, because at the same time, we have also given degli appetiti cannibali.
Come avviene dunque che, dappertutto nel mondo, gli uomini, quale che sia la loro razza o la loro cultura, abbiano sempre inventato le stesse creature favolose, agghindate con gli stessi attributi ed aureolate della medesima reputazione?
Si è ritenuto per molto tempo che queste leggende si siano potute trasmettere tramite scambi culturali.
Ma a forza di dover spingere indietro nel tempo l' epoca della loro presunta disseminazione, fino ad arrivare agli albori stessi dell' umanità, è stato necessario arrendersi all' evidenza: esse affondano in realtà le loro radici nelle nostre stesse profondità, in quello che Jung ha chiamato "l' inconscio collettivo".
E quest' ultimo senza doubt not, as we suggested above, and that a specific adjustment, genetically programmed, designed to protect against the psychological trauma that could arise from unusual and shocking experience, just like the natural defenses of the 'body against all types of aggression which is subject. In what we call "monsters" are reflected in all our fundamental psychological problems.
The Western Dragon is the embodiment of evil, all that we have to fight to live with dignity. L 'Unicorn, a phallic symbol, is the' image of the aggressive virility of male power that can be won, however, from what the weak woman has more pure, more naive, even more insidious and ultimately more effective.

La Sirena is rather the 'wrap-around image of the mother but devouring, the Femme Fatale, the Vamp, of which' man is the 'eternal victim. 'S Amazon falls a bit' in the same scheme, but on a social level: not content to seduce the 'man and then devour it; it so violent, then he does and castrates his slave, as soon as he fulfilled his role stud.
The 'wild man, the satyr, has a dual role: serving as a part of the trash, a counterpart to the' civilized man, for all that remains of the beast, of uncivil, repugnant, from 'On the other hand is rather 's idyllic image e nostalgica del Paradiso perduto dell' animalità naturale non costretta al lavoro e non colpevolizzata dallo schiacciante senso del peccato. L' Orco, maschio e femmina, e i giganti antropofagi sono una visione terrificante del mondo dei genitori, degli adulti, percepito attraverso l' occhio del bambino.
Quanto al Piccolo popolo, quello degli gnomi e dei folletti, non è che il contrario del medesimo mito, una trasposizione dell' universo dei bambini isolati dalla loro dimensione, incompresi, respinti in una sfera inferiore ed obbligati a fare dei piaceri agli adulti per assicurarsi la loro protezione ed i loro favori. Il Babau vorace, la bestia che divora il mondo ha, come molti altri mostri, una funzione ambivalente : rappresenta da una Apart from the fear of being swallowed up, killed, destroyed, by 'other nostalgic desire to return to excellence in the warm safety of the womb.

The lake monster, hidden under water impenetrable to the eye, is the 'image of what's perverse, d' shameful, 's indicated in the bottom of our consciousness of all that is most deeply held secret in our heart. The sea serpent is a symbol, and how transparent!, The Devil, the Prince of darkness, maybe what was once called "the fear of 'unknown', namely the 'immensity of the' ocean of lies beyond 'horizon, which was thought to be the ultimate seat of power of evil.
As the sprawling monster that rises from the depths, representing the dangers that threaten us from below (from the 'inside! Our inner conflicts in other words), so the' Bird is the kidnappers 'images of those who control us from' high (the Demiurge, the 'moral authority to judge us and punish us in case of error). La Fenice, a wonderful ambassador of the universe or far, perpetually reborn from its ashes, recalls the 'lost Eden, the country where death did not exist, and his example gives us a glimpse into a possible return to the Age of' Oro .

As for the Vampire, if also evokes longing for immortality, it serves to remind us of the curse that accompanies it as a 'shadow. In short, there are myths for all ages, all sexes and particular tastes. That's why we attract, seduce us, disturb us, captivates us, enlighten us, albeit a dark light, and ultimately reassure us and console us.
No wonder we are so greedy monsters and fantastic creatures in the film as literature. Paradoxical as it may sound, the fabulous monsters are without doubt, among all animals, those closest to us, the most closely related to our inner life. The dog, cat, horse and some other animals live on our side, the legendary beasts live in us.
E 'to the surface of the waves of our unconscious mermaids frolic, Kraken and sea serpents, and forests that shade its banks that are hidden dragons and unicorns, satyrs and female riders, orcs and goblins, werewolves and vampires. And it is the sky of our dreams in flight explained that cross the formidable bird Roc, kidnapper of elephants, and the Phoenix who eternally returns to his native heaven.
It 's a fact that affects us all.
is the deeper reason why we are so inclined, and that impatience! A to wear the uniform of fabulous beasts, animals of flesh and blood, sometimes the most prosaic: d 'the hand' operation is much easier because these animals are poorly known, little known or only on the eve of being ...
E 'because the manatee has breast chest as his cousin, elephant seals, as well as the Woman, and because his body to the tail ends of fish, which has always confused, one part el' the other 's Atlantic with disturbing siren - even in spite of its appearance very awkward to us - and it was suspected at the same time bloodthirsty instincts.
But in reality it is possible to imagine a more harmless animal, the more helpless of this marine species of cow that spends most of his time to browse the hyacinth 's water and other succulents? In the last century
circulated throughout Africa 's tropical entries for a giant hairy, bloody and slippery that stunned the elephants to beating and kidnap women for rape in the forest. This being half satyr and half ogre is revealed in the end nothing 'more than the Gorilla, a great ape, which is now known to be mild and peaceful, almost totally vegetarian and a lot less obsessed with sex that the' man.

Since we started to know it better it was necessary to transfer its bad reputation to another ape, the unknown of 'Himalaya. That 's what it is today accused of putting the yak Ko to bare fists, before gut with his claws, and to kidnap young girls for fun: The' Abominable Snowman, to call it by its name, 's other hand, totally undeserved.
When on the eve of the First World War was discovered on an 'island' s Indonesia is currently the largest known lizard, a lizard that was more than three feet long, of course, he was given the name of the Komodo Dragon. And yet his size was insignificant compared to those of larger crocodiles, at least twice as long and heavy at least six times as much, since even more than a ton.
These real monsters do not give the prestigious name of "dragons" because they are too well known, and for too long, to be more similar to some mythical animal. In our day, continues unabashedly to treat as "sea serpent" any slender animal apparently unknown, glimpsed here and there on the surface of the waves.
Yet most of these moves just as mammals are able to do, with the vertical undulations of the body, including reptiles in general, and snakes in particular, are incapable of doing.
Especially since 1933, unusual and quite large animals are reported very frequently in the largest lake in the British Isles. For being perpetuated for centuries, it is obvious that they must build an entire population 's hand more specimens have been observed simultaneously.
This does not prevent you from continuing to talk about the monster of Loch Ness "and that it has been accused, unfairly well, to devour the sheep. This
to conform to the myth of the dragon lake, the guardian of treasures, that good manners would be sacrificed from time to time a virgin, a type of food has become rare.
not to leave more to chance discovery of the animals still ignored and speed it up somewhat with the research-oriented in a precise way, I strive for decades, to build a new discipline of science, which I gave the name of Cryptozoology (or science of hidden animals).
addition to the collection, location and criticism of the testimony of observers, the unmasking of the false, the 'analysis of indigenous knowledge and the study of any representations - archaeological o recenti - la cui sintesi deve sboccare sulla sistematizzazione di un ritratto-prototipo dell' aspetto dell' animale e di una descrizione il più possibile accurata dei suoi costumi, questa disciplina ha anche come scopo la demitizzazione delle voci, che corrono in varie parti del mondo, su diversi "mostri", al fine di scoprire gli animali reali che si nascondono sotto la loro maschera stereotipata.
A causa della quantità di aspetti fantastici di cui tali animali sono agghindati e dei comportamenti stravaganti che loro si attribuiscono, la loro realtà è sovente messa in dubbio o negata con forte sarcasmo da zoologi di spirito conservatore o da folkloristi che imputano tutto il meraviglioso all' immaginazione.
Di fatto danno prova di fraintendere la nozione di "mito" e di una totale incomprensione del processo di mitizzazione. E' proprio perché delle specie animali non sono state ancora identificate e debitamente classificate, che esse si prestano per eccellenza a questa operazione di distorsione e di adulterazione.
Meno sono conosciute, più è facile farle entrare di forza nello stampo, talvolta stretto, di un archetipo favoloso, proprio come Procuste col suo letto poco confortevole. E questa operazione da quel momento fa loro restar incollato al corpo, quasi come una decalcomania, l' aspetto caratteristico e le abitudini talvolta assurde del prototipo leggendario.
E, a questo punto, scrollarglieli di dosso diviene abbastanza delicato. Rassicuriamoci, comunque : questa operazione systematic demystification of the monsters will never end with the 'annihilation of them. Once entered into the 'fold of Science, and duly baptized by you, the animals in that they embody, he will always find others to take the baton and play their role.
And if the 'inventory of the animal world really came to run out - something that' s current zoological continues to deny - that we would find somewhere else to feed our myths. Already Vamp artificial as that of the film Metropolis by Fritz Lang, is ready to take the place of 'irresistible siren, the kidnapper of young nymphets Robot replacing gradually in science fiction to' old satyr and his nymphs molester successor, il Gorilla violentatore di indigene; i dischi volanti sostituiscono l' Uccello Roc per rapire i terrestri; i piccoli marziani verdi prendono il posto dei folletti, degli gnomi e degli altri rappresentanti del Piccolo Popolo; ed il Triangolo delle Bermude fa più vittime lui solo che il gran Trio oceanico : il Serpente di mare, la Sirena e il Polpo gigantesco.
I mostri non sono prossimi alla morte.
Non che siano eterni; senza dubbio sono nati con il nostro pensiero e finiranno con lui. Spero tuttavia che a loro sopravvivano tutti gli animali in carne e ossa che si sono incarnati successivamente in ciascuno di essi, e che in qualche modo li hanno nutriti e mantenuti in vita per l' equilibrio della nostra anima. Noi gli dobbiamo certamente almeno questo.

Adapted from www.criptozoo.com